Nora serves as his personal Siri or Alexa, and is able to visit his world as her own temporary avatar.Īnd Ingrid and Nathan can see each other by visual computer links, watching and talking on monitors. Nathan is guided by Nora (Andy Allo), a client support technician back in the real world. There even are ways for the virtual and real worlds to interact. In Nathan's case, his girlfriend Ingrid (Allegra Edwards) controls his budget, and decides, as each purchase request comes to her account, whether or not to indulge him. Breakfast buffets are loaded with endless treats - but, like most of the things in these for-profit virtual realities, you have to pay extra to get what you want. In the "real" world, one character has a "vintage" political poster on her wall supporting the 2024 political ticket of "Oprah and Kamala." In the afterlife of the avatars, residents can twist a dial to adjust the seasons of the gorgeous view outside their window - kind of like changing the background on a Zoom meeting. The closer you look, the more you'll find. In both places, the details - comic and otherwise - are crammed into each frame like panels from a drawing in Mad Magazine. Upload explores both the computer-generated Lake View and the "real" world of 2033, which is when the series begins (and when Nathan dies). Because his girlfriend's family literally owns the place, Nathan gets to live with the one-percenters - whether he wants to or not. The more you can afford, the better your computerized afterlife. One of the many brilliant concepts in Upload is that series creator Greg Daniels envisions his imaginary world as a place where this transition from "bio" to "upload" is predominantly a financial transaction.
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